YOUR STUDIO · ON AIR
The edit roomthat runs itself.
That panel is the room cutting an episode. Yours runs the night you shoot: the whole show cut from the transcript, reels staged in your look, sound levelled, masters rendered. You keep final cut of every frame.
A staged run, shortened. The fictional people and generated frames show one episode moving from multicam cut to a finished, coherent reel pack.
You wrap the shoot.THE FUN PART. YOUR PART.
You go live your life.THE ROOM PULLS THE NIGHT SHIFT
You wake up to a finished show.BRIEF IN THE EVENING · MASTERS IN THE MORNING
EPISODE · CUT REELS · STAGED CAPTIONS · BURNED SOUND · LEVELLED MASTERS · RENDERED
All of it waits on your yes.FINAL CUT IS YOURS · ALWAYS
You wrap the shoot.
You go live your life.
You wake up to a finished show.
All of it waits on your yes.
02 The crew
Your own studio team.
On call all night.
Not one AI doing everything badly. A room of specialists, each with one job, working your episode the way a crew works a show.
Every angle on one clock
Locks every camera and mic to the same clock, frame-accurate. No clap, no guesswork.
Cuts the whole episode
Works from the transcript, not the waveform. The rambles, false starts and dead air never make air.
Finds the moments
Picks reels from what was said: complete thoughts that stand alone in a feed, with a hook on every one.
Dresses every frame
Burns captions in your show's saved style. Colors, fonts, hook cards, stings, endcards: your look, automatically.
Broadcast loudness
Levels every master to −16 LUFS integrated, so your show sounds like a show on every platform.
Renders and stages
Masters for the platforms, verticals for the feed. Named, finished, staged for your approval. Nothing publishes itself.
You never manage them. You brief the room like you'd brief a crew, in plain English, and review the work in the browser.
03 You direct
You just guide.
Ideas become edits.
Tap a direction and watch this set obey. In the room, your whole episode takes direction the same way.
Tap a direction below.
You stay the director. Every change lands as a decision you can see, reorder or reverse. Ask for anything: recut the intro tighter, find every moment about people pleasing, make three more clips for this guest.
This set is staged on the page. In the room, direction drives your episode.
04 One visual world
The whole show,
ready to leave the room.
These fictional demo frames show one saved look carried from the episode cut through its social pack and endcard. The product itself runs in production at Dreamers Media every week.
One shoot, one saved look, every format. The room carries the same visual language across the master, speaker cuts, reels and final endcard.
05 Where this is at
The first cohort is small.
That's the point.
Cutroom is in beta, and it's free while you're in it. The first cohort is small: few enough shows that each one gets looked after properly.
It will be paid at launch. Credits or a subscription; we're still deciding. Early users hear first and get the best deal we'll ever offer.
No countdown timers, no seat counters. When the cohort fills, it fills.
FOR TECHNICAL TEAMS
Everything the room does, the API and CLI do too. The interface is just another client. Brief a week's slate in the evening and review finished masters in the morning.